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淺論莎士比亞悲劇中女性意識(shí)的覺(jué)醒 - 畢業(yè)論文
摘 要
莎士比亞悲劇中女性人物所折射出的女性品質(zhì)，不僅體現(xiàn)了文藝復(fù)興時(shí)期“人”的意識(shí)的覺(jué)醒，更深1層次來(lái)說(shuō)，也體現(xiàn)了女性作為1個(gè)單獨(dú)的社會(huì)個(gè)體，女性個(gè)體意識(shí)的覺(jué)醒。這種個(gè)體性是不依賴(lài)于社會(huì)和傳統(tǒng)的，純粹是根據(jù)人自身的需要來(lái)追求和獲得的，這正暗合了文藝復(fù)興的“以人為本”的宗旨。但在當(dāng)時(shí)的社會(huì)背景下，在男權(quán)社會(huì)的理念中，女性弱勢(shì)的地位使得這種覺(jué)醒并非社會(huì)大變革那樣潮流性的崛起，而只是1種萌芽狀態(tài)，這種萌芽性注定了悲劇性的產(chǎn)生。莎士比亞敏感地注意到了這1萌芽狀態(tài)并在其悲劇中反應(yīng)了出來(lái)---這是1筆先知性的財(cái)富，它對(duì)后來(lái)的女性文學(xué)甚至是女權(quán)運(yùn)動(dòng)都有不可估量的影響。
關(guān)鍵詞：莎士比亞；悲�。幻妊�；女性意識(shí)；影響
ABSTRACT
Shakespeare woman quality that happen refracted , personage of women , in the tragedy, reflect Renaissance period awakening of consciousness of " people ", dark level come to speak, having reflected women as a single social individual too, the awakening of womens individual consciousness. This kind of individual does not depend on the society and traditional one, is pursued and got according to the needs of people completely, this is agreeing the " human-oriented " aim of the Renaissance without prior consultation . But under at that time social background, among man right idea of society, women status of weak tendency make the awakening social great change trend nature emergence so, and only a kind of bud, the production that this kind of rudiment has been destined to be tragic. Shakespeare has noticed this bud and reacted in its tragedy out sensitivly ——This one wealth of prophet, it have inestimable influence to later on women literature or even womens right sport.
Key words: Shakespeare; Tragedy; Bud; Female awareness; Influence
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